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Total ratings: 4749
Length: 3:23
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Lays me down with my mind she runs
Throughout the night
No need to fight
Never a frown with Golden Brown
Every time just like the last
On her ship tied to the mast
To distant lands
Takes both my hands
Never a frown with Golden Brown
Golden Brown finer temptress
Through the ages she's heading west
From far away
Stays for a day
Never a frown with Golden Brown
(La la la la la la la la leeeah)
Never a frown
With Golden Brown
Never a frown
With Golden Brown
I’m definitely down with feeling “golden brown.”
Heroin or Heroine take your pick
You really should listen to this Dave Brubeck Golden Brown mashup
It's really great
It is SUBLIME
Still love it though and literally just found out what it's about. I thought he was singing about a girl.
Also used brilliantly in "Metalhead", the Black Mirror episode with the robot dogs.
I just noticed that the whole song is in waltz time (3/4). Written while under the influence, I bet, not after coming down. "Never a frown".
I prefer to specifically listen to music that deals with concepts which I disagree with, especially if I'm unfamiliar with the concept.
then read poetry and practice yodeling
Better stop listening to nearly all music then.
I prefer to specifically listen to music that deals with concepts which I disagree with, especially if I'm unfamiliar with the concept.
It's 3/8 with 4/8 in between.
yes, never realised that. Great groove
Sounds like a fast waltz. 3/4?
It's 3/8 with 4/8 in between.
if you are not sure what i mean... just start counting what seems to be a 4/4 rhythm with 1-2-3-4-1-2-3-4... and see what happens
The rest of the album is very... uneven? Some good, but not AS good, and some very weird tracks!
https://en.wikipedia.org/wiki/...
Never a frown...
...And I was like, "Hey! That's a song they play on Radio Paradise!"
Love it.
"Honey, it's all about drugs and promiscuous sex."
That's fantastic!
Yeah, it's pretty cool.
They played to a lot of "punk" audiences long before "Skin Deep" was released - mid'70s. "Peaches" and "No More Heroes" were two songs with particular punk appeal back then, but I agree they were never exactly a punk band.
My mother would disagree.
Better stop listening to nearly all music then.
But when I remind myself that of all topics in the world he chose to sing about heroin as his "golden brown", suddenly it makes the lyrical content worthless and trivial.
Mugro wrote:
I second that! In fact, here is the link.
I'm a big fan of this track and rate it a 9. LONG LIVE RP!
Nothing about them was punk. Just happened to be british in the same era. The song Skin Deep was quirky enough to be liked on the new wave/alt scene but punk it wasn't.
They played to a lot of "punk" audiences long before "Skin Deep" was released - mid'70s. "Peaches" and "No More Heroes" were two songs with particular punk appeal back then, but I agree they were never exactly a punk band.
Yes!
Heh.
ah, is that what it is..
you can count to it in your head!
it's:
1,2,3 1,2,3 1,2,3 1,2,3,4
in the verse section.
It's a great song!
Nothing about them was punk. Just happened to be british in the same era. The song Skin Deep was quirky enough to be liked on the new wave/alt scene but punk it wasn't.
Fully agree. But 3/4 only for most of the time - they have inserted a few 4/4...
ah, is that what it is..
don't quote me on it but I think it is a 4/4 time with the main beat on three.
Fully agree. But 3/4 only for most of the time - they have inserted a few 4/4...
Well, okay then, I'm glad we got that cleared up. And just to clarify further, I wasn't criticizing at all. I was pointing out the elements of the song I really like. Lyrically this song reminds me of Crystal Ship, which Morrison eventually said refers to a glass of brandy. Yeah, right, Jim, whatever you say. Well, I suppose he had no choice but to say that.
To Jim and his brandy.
Cheers!
People have been comparing The Stranglers sound to that of The Doors for almost 40 years. They never denied the influence - especially their keyboard player. However, guitar modal scales played on a clean, non-distorted guitar existed long before Krieger. Any rock song with a harpsichord is going to remind some people of Manzarek (especially if the only other rock song with a harpsichord they've heard is "Love Me Two Times"), and Jim Morrison did not invent the concept of symbolic lyrics.
Well, okay then, I'm glad we got that cleared up. And just to clarify further, I wasn't criticizing at all. I was pointing out the elements of the song I really like. Lyrically this song reminds me of Crystal Ship, which Morrison eventually said refers to a glass of brandy. Yeah, right, Jim, whatever you say. Well, I suppose he had no choice but to say that.
People have been comparing The Stranglers sound to that of The Doors for almost 40 years. They never denied the influence - especially their keyboard player. However, guitar modal scales played on a clean, non-distorted guitar existed long before Krieger. Any rock song with a harpsichord is going to remind some people of Manzarek (especially if the only other rock song with a harpsichord they've heard is "Love Me Two Times"), and Jim Morrison did not invent the concept of symbolic lyrics.
Stranglersfan wrote:
Perhaps the above was true, but after their first 4 albums which were rather Punk, as in fast and loud and all made in the 70's. The Stranglers moved with the times, during the first half of the 80's they put out another 4 albums, which were all stunning in quality and workmanship, but perhaps not Punk Rock in terms of fast and loud. I think they were in their prime from 1977-1984. (My opinion of course)They still maintained their strong standing as punk rock pioneers and made incredible music. To me, those first 8 studio albums are the pinnacle of music that I love. The second half of the 80's they created another couple of very good studio albums. Hugh Cornwell (singer, songwriter and guitarist) left the band shortly after 1990. That is when I stopped listening. I could not keep following. It would be like the Beatles continuing on with out Lennon or McCartney.
stranglin'
a "10", of course!
couldnt cope with giving it less.
RIP to a great actor, there's a strong review for "God's Pocket" in this week's New Yorker
Hoffman was tremendously great. His acting always pulled a visceral reaction out of me—hatred at the bullying bellowing sleaze in "Punchdrunk Love", pity and exasperation towards the depressed and closeted homosexual in "Boogie Nights", titillated fascination and impatience with the self-indulgent, cocky but relentless "Capote." I have not seen "God's Pocket" or "A Most Wanted Man" but they're definitely on my watch list.
The other actor in the pic above, Eddie Marsan, is also great. He is unforgettable as the round-headed, snot-snorting rent collector Pancks in the BBC's adaptation of "Little Dorrit."
"Lovely day for it, innit?"
update: "God's Pocket" definitely had the feel of a short story that shouldn't have been made into a movie, but Hoffman was great.
I wouldn't go that far, but this song has been played to death and beyond into zombiedom on mainstream radio. I've never really taken to the Stranglers, who have always had, IMO, a dark misogynistism which leaves a sour taste in my mouth. Some of their song lyrics are pretty dodgy, to say the least, in their attitudes to women. Luckily for women, the band members are face-aches so even as rock stars would be unlikely to attract any female with half-decent sight and two legs.
RIP to a great actor, there's a strong review for "God's Pocket" in this week's New Yorker
8!
Beautiful song, but I really get pissed about the subject matter. So many have died or destroyed their lives due to heroin, so I just hate hearing anything that glorifies the drug.
How do you feel about glorifying cigarettes? Tobacco has killed orders of magnitude more people than heroin.