Jeremiah Fraites — No Surprises
Album: Piano Piano 2Avg rating:
Your rating:
Total ratings: 131
Length: 4:06
Plays (last 30 days): 8
share
tweet
A heart that's full-up like a landfill
Job slowly kills you
Bruises that won't heal
You look so tired, unhappy
Bring down the government
They don't, they don't speak for us
I'll take a quiet life
A handshake of carbon monoxide
No alarms and no surprises
No alarms and no surprises
No alarms and no surprises
Silent
Silent
They say this is my final fit
My final bellyache with
No alarms and no surprises
No alarms and no surprises
No alarms and no surprises, please
Such a pretty house
And such a pretty garden
No alarms and no surprises (get me out of here)
No alarms and no surprises (get me out of here)
No alarms and no surprises (get me out of here), please
Mm
Job slowly kills you
Bruises that won't heal
You look so tired, unhappy
Bring down the government
They don't, they don't speak for us
I'll take a quiet life
A handshake of carbon monoxide
No alarms and no surprises
No alarms and no surprises
No alarms and no surprises
Silent
Silent
They say this is my final fit
My final bellyache with
No alarms and no surprises
No alarms and no surprises
No alarms and no surprises, please
Such a pretty house
And such a pretty garden
No alarms and no surprises (get me out of here)
No alarms and no surprises (get me out of here)
No alarms and no surprises (get me out of here), please
Mm
Comments (10)add comment
I find this version quite likeable.
I love this new arrangement.
I don't love the "watery" phase-shifting mix.
It wreaks havoc on the psychoacoustic model employed by the audio compression algorithms used by every major music service and makes the final results sound awful.
I had to check this track on two different services, Apple Music and Spotify, in all bit rates, all the way up to lossless.
I don't love the "watery" phase-shifting mix.
It wreaks havoc on the psychoacoustic model employed by the audio compression algorithms used by every major music service and makes the final results sound awful.
I had to check this track on two different services, Apple Music and Spotify, in all bit rates, all the way up to lossless.
My first thought after hearing this piece was that both musicians now live relatively close to each other in Colorado. Makes it easier for them to get into the studio together, when their schedules permit.
For my money, the best covers of Radiohead are on Eliza Lumley's She Talks in Maths album.
still a drone
I happen to like it.
7
7
A great song, no matter the form, always sounds like a great song. 'Tis true, look it up...
I'm a huge fan of RH and I'm delighted by this cover
I very much like Gregory Alan Isakov and the Lumineers, but this collaboration on a Radiohead song is disappointing - dull and drippy. 5 at best. I hope the album has better tunes.
Great music can be great in different genres. This is an example of that.