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The Clash — Straight To Hell
Album: Combat Rock
Avg rating:
7

Your rating:
Total ratings: 2649









Released: 1982
Length: 5:17
Plays (last 30 days): 2
If you can play on fiddle, how's about a British jig and reel?
Speaking King's English in quotation, as railhead towns feel the steel mills rust
Water froze, in the generation
Clear as winter ice, this is your paradise

There ain't no need for ya, there ain't no need for ya
Go straight to hell boy, go straight to hell boy

Wanna join in a chorus, of the Amerasian blues?
When it's Christmas out in Ho Chi Minh City
Kiddie say "Papa-Papa-Papa-Papa-san, take me home?"
"See me got photo-photo-photograph of you and Mamma-Mamma-Mamma-san?"
"Of you and Mamma-Mamma-Mamma-san"
Lemme tell ya about your blood, bamboo kid, it ain't Coca-Cola, it's rice

Straight to hell boy, go straight hell boy
Go straight hell boy, go straight hell boy

Oh Papa-san, please take me home
Oh Papa-san, everybody they wanna go home
So Mamma-san says

You wanna play mind-crazed banjo, on the druggy-drag Ragtime U.S.A.?
In Parkland International Hah! Junkiedom U.S.A.?
Where procaine proves the purest rock man groove and rat poison
The volatile Molatov says "Pssst, Hey chico we got a message for ya, see, vamos vamos muchacho"
From Alphabet City, all the way A to Zed, dead, head

Go straight to hell boy, go straight to hell boy

Straight to hell

Oh Papa-san, please take me home
There ain't no need for ya, there ain't need for ya
Go straight to hell boy, go straight to hell boy

Can you cough it up, loud and strong
The immigrants, they wanna sing all night long
It could be anywhere, most likely could be any frontier, any hemisphere, in no man's land
There ain't no asylum here, King Solomon he never lived round here

Straight to hell boy, go straight to hell boy
Go straight to hell boy, go straight to hell boy

Oh Papa-san, please take me home
Oh Papa-san, everybody they wanna go home now
Rickshaw rides, ten mile a penny, ten mile a penny, do you want?
Comments (313)add comment
I liked the Clash, but didn't really get them until I got this album and heard this song. I played this song over and over in my car cassette player. This song certainly captures a zeitgeist and definitely one I identified with. Anyway, thanks for playing this now!
 Spiderwoman wrote:

I've heard of them, but don't know anything about The Clash. So question: is the guy looking like a character from Grease trying to be ironic, or was that a legit look back then?



Less 50's greaser and more Cafe Racer who were more Rocker, than Mods 
I've heard of them, but don't know anything about The Clash. So question: is the guy looking like a character from Grease trying to be ironic, or was that a legit look back then?
 Proclivities wrote:

It's weird that a laid back tune like this could elicit such similar and strong reactions from two different people.  Mysteries indeed.


The Clash,  The ONLY Band that mattered!  What a statement. I started listening in 1979. From London to Sandinista to Combat. WOW. So good.  And all their solo stuff, Joe RIP, Mick and Paul's Havana 3 A.M were all so good.  Amazing then and still amazing in 2024. I turn 66 in April. 
My daughter played MIAs “Paper Planes” and i pointed out they sampled this song and played it for her. She was completely unaware and has since become a huge Clash fan. I also went to see The Cure with her a couple weeks ago. She quickly pointed out they didn’t like each other. My work here is done
 coloradojohn wrote:

I've always loved this mad, twisted ditty... It sure has differing effects on listeners, though! Sometime in '89 or so, while based in Shizuoka, after a dinner-date with a French Canadian gal I'd just met, I was driving my Honda City up a winding road full of hair-pin turns through terraces of caterpillar-like rows of tea trees on the slopes of Chiba-san to a spooky old temple built in 776 called Chiman-ji that she wanted me to show her, with my cassette of Combat Rock in the deck. As we got near the temple, as tendrils of fog wafted among the towering hinoki trees and the smell of mugwort drifted in through the open windows, this song came on. It didn't take long for her to try to put a stop to it... "Just what IS THIS we're listening to here?" she said, noticeably angry all out of proportion. "The Clash," I said, adding, "—What's wrong? Seems perfect, to me..." She pushed the Eject button and demanded, "Take me back to town. Now!" WTF?!  All the way down, she kept fuming, "I can't believe that terrible, bizarre music that you played for me!"

17 years or so ago I was in LA visiting my architect friend, and we took a long stoned drive to Mineral King, where we were to park and start a trek that would take us several days off-trail way up into The Kaweah Peaks, and when it was my turn to choose the tunes, I put Combat Rock in. When this song came along, he couldn't stop raving about it, and made me rewind and play it multiple times. He loved it so much that he convinced me to let him borrow the tape for awhile. After our week-long camping and climbing trip, I went down to visit a friend in San Diego for a few days. When I came back, I asked if I could have my tape back. He told me that he'd been playing it, right after I'd left, and during this song, his wife had gotten furious, screamed at him, got up, took the tape out, and had either hid it somewhere or threw it out. WTF?!  War? Politics? Nah... Music, Women, and Emotions are the real True Mysteries in Life.



I thought you'd say the French Canadian girl came back into the story.

:)
hmmm....never realized....PaperPlanes MIA uses the Clash's exact same opening riff...catchy, but?!?!
Tusk!
 coloradojohn wrote:

I've always loved this mad, twisted ditty... It sure has differing effects on listeners, though! Sometime in '89 or so, while based in Shizuoka, after a dinner-date with a French Canadian gal I'd just met, I was driving my Honda City up a winding road full of hair-pin turns through terraces of caterpillar-like rows of tea trees on the slopes of Chiba-san to a spooky old temple built in 776 called Chiman-ji that she wanted me to show her, with my cassette of Combat Rock in the deck. As we got near the temple, as tendrils of fog wafted among the towering hinoki trees and the smell of mugwort drifted in through the open windows, this song came on. It didn't take long for her to try to put a stop to it... "Just what IS THIS we're listening to here?" she said, noticeably angry all out of proportion. "The Clash," I said, adding, "—What's wrong? Seems perfect, to me..." She pushed the Eject button and demanded, "Take me back to town. Now!" WTF?!  All the way down, she kept fuming, "I can't believe that terrible, bizarre music that you played for me!"

17 years or so ago I was in LA visiting my architect friend, and we took a long stoned drive to Mineral King, where we were to park and start a trek that would take us several days off-trail way up into The Kaweah Peaks, and when it was my turn to choose the tunes, I put Combat Rock in. When this song came along, he couldn't stop raving about it, and made me rewind and play it multiple times. He loved it so much that he convinced me to let him borrow the tape for awhile. After our week-long camping and climbing trip, I went down to visit a friend in San Diego for a few days. When I came back, I asked if I could have my tape back. He told me that he'd been playing it, right after I'd left, and during this song, his wife had gotten furious, screamed at him, got up, took the tape out, and had either hid it somewhere or threw it out. WTF?!  War? Politics? Nah... Music, Women, and Emotions are the real True Mysteries in Life.



What a get story! Thanks!
I genuinely want to know if this would be offensive to Asian ethnic groups. I'm not Asian so I can't judge these lyrics. 
I saw The Clash in 1980 at the Santa Monica Civic in California. It changed my musical taste forever! I grew up seeing all the classic rock bands; The Who, Stones, Eagles, Queen, Bowie, Pink Floyd and many, many more.  Nothing wrong with that but very main stream. The Clash had a solo Jamaican guy singing with a boom box (wasn't received well) reggae wasn't too popular yet, then I believe the Specials played, blew my mind, and then The Clash...what energy! It just really opened my mind to checking out different styles of music in different venues, thanks guys! I read the comments and they get mixed reviews, love and hate, but you have to give them this much... they evoke emotions.
 jukes1 wrote:

 

You might prefer Lily Allen’s clash-approved remake. I certainly do (love the original too).

If you like this song, there's also the extended version, which just makes the awsomeness more awsomer. 
One of my faves of theirs - I'm far from their biggest fan, but they undeniably have some stellar songs - Guns of Brixton is just wow! 👍
As a song, this is in my top 10 all time. Having said that I do enjoy Lily Allen’s cover a bit better than this original (yes, Lily Allen). I’m not a Clash devotee although ironically I am sort of a Joe Strummer devotee, hmmm?
I wonder why the Hellboy franchise didn't use this song in one of their movies.  "Go Straight To Hellboy" was a massive missed opportunity.
 bkrans9 wrote:

So back in 1982, this song made me cringe with it's Asian racism. (FYI, papa-san? That's Japanese...) But I told myself that the point of the song was to condemn U.S. Imperialism, so it was ok. I can now say unequivocally that it's not. I was right to cringe, and I knew it in 1982. 
--And yes, I understand that it's depicting the hatred directed at Amer-Asian children in their Vietnamese homeland. 


Go straight to Hell
Now we know where M.I. A got the melody for Paper Planes.  
still my favorite Clash tune. So good. 
Horrible.
 bkrans9 wrote:

So back in 1982, this song made me cringe with it's Asian racism. (FYI, papa-san? That's Japanese...) But I told myself that the point of the song was to condemn U.S. Imperialism, so it was ok. I can now say unequivocally that it's not. I was right to cringe, and I knew it in 1982. 
--And yes, I understand that it's depicting the hatred directed at Amer-Asian children in their Vietnamese homeland. 



Also, it's a sucky-ass song musically.
So back in 1982, this song made me cringe with it's Asian racism. (FYI, papa-san? That's Japanese...) But I told myself that the point of the song was to condemn U.S. Imperialism, so it was ok. I can now say unequivocally that it's not. I was right to cringe, and I knew it in 1982. 
--And yes, I understand that it's depicting the hatred directed at Amer-Asian children in their Vietnamese homeland. 
Except RP, it was never Joe Strummer & the Clash, it was only The Clash.
 LastChance wrote:
Whisky Tango Foxtrot....
 
Yes?
 Larrygrrl wrote:
Is it wrong that I really wanted this to be MIA?
 
Nah, so did I.
Is it wrong that I really wanted this to be MIA?
I bypassed Punk. because most was crap. So I never heard this until this year.
9 in my book.
HEART RENDNG. iF YOU HAVE A HEART.
and very poignant in Trump's America.
Mediocre song.
 coloradojohn wrote:
 War? Politics? Nah... Music, Women, and Emotions are the real True Mysteries in Life.
 
For the record, I'm a laydee (I've had independent checks done an' everything) and I'd have been impressed as all hell if someone had played this to me in their car.  But then, I've been told that I'm not 'normal'. Whatever that is...
 ziggytrix wrote:
Go straight to Hellboy? Perlman or Harbour?
 

Perlman, but have gained respect for Mr. Harbour's talent. Just wish he'd get some better roles- looking forward to Black Widow...
 blue-ice wrote:
Seems a good splif would do this tune better than reality.
 
Fifteen years later I can verify that your supposition is indeed true.
If you like this song, check out the "extended" version they finally released on the Sound System box set

https://open.spotify.com/track/4NFBTkuQQ9f17DTGUHSveP

https://www.youtube.com/watch?v=J_4jpHiiZp0
 jonahboo wrote:
cool band = turd song
 

Cool band = cool song!    The Clash is one of those bands where you really need to listen carefully to the lyrics in order to appreciate them.  Their biting sarcasm and political criticism of the Thatcher/Reagan years is some of the best. If only we had listened to them, perhaps we would not be in the pickle we're in now.

Best Clash line: "Vacuum cleaner sucks up budgie." 
Cheers to all RP listeners!
Now play MIA Paper Planes!
 jukes1 wrote:
bruceandjenna wrote:
Not part of my generation's music, so I'm not familiar with it.  I was reading while listening, so didn't pay attention to the lyrics.  

I found the music uninteresting.  Don't hurt me.
 

You might prefer Lily Allen’s clash-approved remake. I certainly do (love the original too).
 
I don't prefer the Lilly Allen version but glad to listen to it ;-)
That must have been the inspiration of Slumdog Millionaire's Paper Planes.
Weak album and even weaker movie. Lame Post Punk attempt at a Spaghetti Western. I was at the NY Film Festival Premiere and after party. There was a very loud, annoying Clash groupie there who kept interrupting the proceedings. That groupie became Courtney Love.
The Clash never made a bad album.
More Clash!
cool band = turd song
 ace-marc wrote:
The World needs More Clash and  More Strummer. 
 
Vacuum cleaner sucks up budgie!

The World needs More Clash and  More Strummer. 
@rafiki that’s my first thought when I hear this piece.
I am ashamed I first thought about paper planes  
...And take your money
Go straight to Hellboy? Perlman or Harbour?
 thundrpants wrote:
M.I.A. samples the beginning motif in "All I Wanna Do." Brilliant!
 
Paper Planesactually.
ouch
 coloradojohn wrote:
I've always loved this mad, twisted ditty... It sure has differing effects on listeners, though! Sometime in '89 or so, while based in Shizuoka, after a dinner-date with a French Canadian gal I'd just met, I was driving my Honda City up a winding road full of hair-pin turns through terraces of caterpillar-like rows of tea trees on the slopes of Chiba-san to a spooky old temple built in 776 called Chiman-ji that she wanted me to show her, with my cassette of Combat Rock in the deck. As we got near the temple, as tendrils of fog wafted among the towering hinoki trees and the smell of mugwort drifted in through the open windows, this song came on. It didn't take long for her to try to put a stop to it... "Just what IS THIS we're listening to here?" she said, noticeably angry all out of proportion. "The Clash," I said, adding, "—What's wrong? Seems perfect, to me..." She pushed the Eject button and demanded, "Take me back to town. Now!" WTF?!  All the way down, she kept fuming, "I can't believe that terrible, bizarre music that you played for me!"

17 years or so ago I was in LA visiting my architect friend, and we took a long stoned drive to Mineral King, where we were to park and start a trek that would take us several days off-trail way up into The Kaweah Peaks, and when it was my turn to choose the tunes, I put Combat Rock in. When this song came along, he couldn't stop raving about it, and made me rewind and play it multiple times. He loved it so much that he convinced me to let him borrow the tape for awhile. After our week-long camping and climbing trip, I went down to visit a friend in San Diego for a few days. When I came back, I asked if I could have my tape back. He told me that he'd been playing it, right after I'd left, and during this song, his wife had gotten furious, screamed at him, got up, took the tape out, and had either hid it somewhere or threw it out. WTF?!  War? Politics? Nah... Music, Women, and Emotions are the real True Mysteries in Life.
 

Well I've always liked it.  Its been one of my favorite Clash tunes since I heard it way back when.
M.I.A. samples the beginning motif in "All I Wanna Do." Brilliant!
bruceandjenna wrote:
Not part of my generation's music, so I'm not familiar with it.  I was reading while listening, so didn't pay attention to the lyrics.  

I found the music uninteresting.  Don't hurt me.
 

You might prefer Lily Allen’s clash-approved remake. I certainly do (love the original too).
 coloradojohn wrote:
I've always loved this mad, twisted ditty... It sure has differing effects on listeners, though! Sometime in '89 or so, while based in Shizuoka, after a dinner-date with a French Canadian gal I'd just met...
  ...He told me that he'd been playing it, right after I'd left, and during this song, his wife had gotten furious, screamed at him, got up, took the tape out, and had either hid it somewhere or threw it out. WTF?!  War? Politics? Nah... Music, Women, and Emotions are the real True Mysteries in Life.
 
It's weird that a laid back tune like this could elicit such similar and strong reactions from two different people.  Mysteries indeed.
 bruceandjenna wrote:
Not part of my generation's music, so I'm not familiar with it.  I was reading while listening, so didn't pay attention to the lyrics.  

I found the music uninteresting.  Don't hurt me.
 
You're safe. A lot of great, famous songs are not one listen wonders. But with time....
we miss ya Joe
Not part of my generation's music, so I'm not familiar with it.  I was reading while listening, so didn't pay attention to the lyrics.  

I found the music uninteresting.  Don't hurt me.
 ziggytrix wrote:

Cool stories! (not sarcastic)
 
That was an awesome story!!!!!
 coloradojohn wrote:
I've always loved this mad, twisted ditty... It sure has differing effects on listeners, though! Sometime in '89 or so, while based in Shizuoka, after a dinner-date with a French Canadian gal I'd just met, I was driving my Honda City up a winding road full of hair-pin turns through terraces of caterpillar-like rows of tea trees on the slopes of Chiba-san to a spooky old temple built in 776 called Chiman-ji that she wanted me to show her, with my cassette of Combat Rock in the deck. As we got near the temple, as tendrils of fog wafted among the towering hinoki trees and the smell of mugwort drifted in through the open windows, this song came on. It didn't take long for her to try to put a stop to it... "Just what IS THIS we're listening to here?" she said, noticeably angry all out of proportion. "The Clash," I said, adding, "—What's wrong? Seems perfect, to me..." She pushed the Eject button and demanded, "Take me back to town. Now!" WTF?!  All the way down, she kept fuming, "I can't believe that terrible, bizarre music that you played for me!"

17 years or so ago I was in LA visiting my architect friend, and we took a long stoned drive to Mineral King, where we were to park and start a trek that would take us several days off-trail way up into The Kaweah Peaks, and when it was my turn to choose the tunes, I put Combat Rock in. When this song came along, he couldn't stop raving about it, and made me rewind and play it multiple times. He loved it so much that he convinced me to let him borrow the tape for awhile. After our week-long camping and climbing trip, I went down to visit a friend in San Diego for a few days. When I came back, I asked if I could have my tape back. He told me that he'd been playing it, right after I'd left, and during this song, his wife had gotten furious, screamed at him, got up, took the tape out, and had either hid it somewhere or threw it out. WTF?!  War? Politics? Nah... Music, Women, and Emotions are the real True Mysteries in Life.
 
Cool stories! (not sarcastic)
love this wicked song!!!
80's flashback: Alex Cox's "Walker", scored by Strummer, inspired by Marlon Brando's "Burn!"
reagan thatcher and company, poppa bush and his cia central american manipulations, 
Remember some american culture that had you do some research?   
Original movie poster for the film Burn!.jpg
I've always loved this mad, twisted ditty... It sure has differing effects on listeners, though! Sometime in '89 or so, while based in Shizuoka, after a dinner-date with a French Canadian gal I'd just met, I was driving my Honda City up a winding road full of hair-pin turns through terraces of caterpillar-like rows of tea trees on the slopes of Chiba-san to a spooky old temple built in 776 called Chiman-ji that she wanted me to show her, with my cassette of Combat Rock in the deck. As we got near the temple, as tendrils of fog wafted among the towering hinoki trees and the smell of mugwort drifted in through the open windows, this song came on. It didn't take long for her to try to put a stop to it... "Just what IS THIS we're listening to here?" she said, noticeably angry all out of proportion. "The Clash," I said, adding, "—What's wrong? Seems perfect, to me..." She pushed the Eject button and demanded, "Take me back to town. Now!" WTF?!  All the way down, she kept fuming, "I can't believe that terrible, bizarre music that you played for me!"

17 years or so ago I was in LA visiting my architect friend, and we took a long stoned drive to Mineral King, where we were to park and start a trek that would take us several days off-trail way up into The Kaweah Peaks, and when it was my turn to choose the tunes, I put Combat Rock in. When this song came along, he couldn't stop raving about it, and made me rewind and play it multiple times. He loved it so much that he convinced me to let him borrow the tape for awhile. After our week-long camping and climbing trip, I went down to visit a friend in San Diego for a few days. When I came back, I asked if I could have my tape back. He told me that he'd been playing it, right after I'd left, and during this song, his wife had gotten furious, screamed at him, got up, took the tape out, and had either hid it somewhere or threw it out. WTF?!  War? Politics? Nah... Music, Women, and Emotions are the real True Mysteries in Life.
I've always loved the audacity and terrible truth in this mad, twisted ditty...
Haven't heard this in ages -  nice blast from the past!
 gandalfbmg wrote:
Call me crazy, but when I heard this start, I kind wished it was Paper Planes...

 
Yes! Me too! I was like, "whoa, Bill"...
Wondering if M.I.A. sampled this for Paper Planes?
 DaMoGan wrote:

Bill and 'Becca, I see what you did there.  From Johnny Cash — The Man Comes Around to this? That's why RP is better than any internet radio station with computer-generated playlists, even if they had the same music collection. {#Laughing}

 
Nice catch DaMoGan- Missed that:)  Agree!!
Why did political rock disappear?  The Clash did it right!

Bill and 'Becca, I see what you did there.  From Johnny Cash — The Man Comes Around to this? That's why RP is better than any internet radio station with computer-generated playlists, even if they had the same music collection. {#Laughing}
 steppr wrote:
Same thought process here
...{#Eek} 

gandalfbmg wrote:
Call me crazy, but when I heard this start, I kind wished it was Paper Planes...
 

 

I dunno I just really hate that M.I.A. ripped this song, Paper Planes is so vapid by comparison.
 steppr wrote:
Same thought process here
...{#Eek} 

gandalfbmg wrote:
Call me crazy, but when I heard this start, I kind wished it was Paper Planes...

 

 
same {#Redface}
Same thought process here
...{#Eek} 

gandalfbmg wrote:
Call me crazy, but when I heard this start, I kind wished it was Paper Planes...

 


U nummer 1 
Lemme' tell you about your blood, bamboo kid
It ain't coco cola, it's rice.

Sounds exactly like what a drunk GI would tell an Ameriasian son: bad poetry indeed.
 thewiseking wrote:
bad poetry and oh so earnest

 




bad poetry and oh so earnest
try your best
 gandalfbmg wrote:
Call me crazy, but when I heard this start, I kind wished it was Paper Planes...

 
You're crazy but I uploaded that and it got accepted. Never played of course, but hey. My mistake, it did get a couple of plays.
 gandalfbmg wrote:
Call me crazy, but when I heard this start, I kind wished it was Paper Planes...

 
Never knew MIA/Paper Planes had sampled this tune.
Musically perhaps not their most catchy tune, but the sentiment in the lyric is second to none, except the line in the middle that goes:
Mama San says "dig-dig-dig-dig-dig-dig-dig-dig-dig-dig-did-dig-dig-dig-doog-doog-dug-dug-dug-dug-dug-dug" 
Clash Approved Cover
 jt1 wrote:Start with Janie Jones, the Clash, the Clash
I REALLY need to get some Clash albums. Once again, RP is educating me.

 


He just did it again! 

Snorfalorpagus wrote:

And again. Absolutely superb.

 


Call me crazy, but when I heard this start, I kind wished it was Paper Planes...
please don't play this song, pleaseeee!

This song fucking resonates.

 
 fil wrote:
From "Johnny Cash - The Man Comes Around" to this. One of the best segues ever.

 
And again. Absolutely superb.
 thewiseking wrote:
This helps demonstrate that alot of what the Clash did was rubbish and sounds terribly dated.
btw, I was at the NY Film Festival Premiere of the film Straight to Hell, which was an absolute disaster. A crazy, distruptive groupie kept talking thru the film and I believe was thrown out. That groupie....................Courtney Love.

 
Well, I still love this song although I think the Clash was overrated for an American audience. Fredriley has a very interesting take on The Clash as a band influencing British politics and culture. 

The movie "Straight to Hell" was a mess from what I remember reading of it. Alex Cox rounded up his buddies to make a movie and have fun--I don't think he took it seriously. Joe Strummer according to an article I read (Q Magazine? Vanity Fair? something like that) totally threw himself into his role and was sleeping outside under a wagon during the filming.  

Courtney Love? Courtney Love is a disaster. Crazy and disruptive as she might have been, she wasn't a groupie--looks like she was the leading lady in the movie. All the more reason to skip the film.

You can read another guy's take from imdb.com and decide for yourself. You get the sense that a studio gave Cox a bit of money but only got a home movie in return:

What's wrong with the kid? Sexual Tension.
14 November 2005 | by Johann (United States) – See all my reviews

This is a story of three desperadoes and a girl who accidentally go to a small town after screwing up an assassination job and robbing a bank. The town is owned by the McMahon family (the Pogues with a few others thrown in) all of whom are addicted to coffee and enjoy killing and being all in all bastards. There's tension, characters clashing and sexual. The film didn't have a whole lot of a plot, but that doesn't really matter much because it seems to be more of a spoof on spaghetti westerns and even the actors and actresses themselves. It takes repeated viewing to really get down what is going on and how the parties are related to each other, but that doesn't seem to matter quite so much. All in all, I recommend this film to those of you who love weird movies and everyone who remembers the 80's punk scene.

 
This is near the top of my favorite Clash tunes...
 fil wrote:
From "Johnny Cash - The Man Comes Around" to this. One of the best segues ever.

 
He just did it again.  That was awesome. 
Am I the only one out there...?

 

msymmes wrote:
Joe was a genius!

 


Joe was a genius!
 fil wrote:
From "Johnny Cash - The Man Comes Around" to this. One of the best segues ever.

 

Yes, this.{#Arrowu}

''Man, those cats were kung fu fighting..''


Ditto fil {#Angel}. Brilliant! 
From "Johnny Cash - The Man Comes Around" to this. One of the best segues ever.
SO-HO TRUE! It's. The. Clash.
'Nuff said.

 
Luciano wrote:
The Clash, always on a higher level. As to the lyrics, the theme itself sets this song milles ahead of other bands. The music fits the lyrics. It´s not a song to dance or to bang your head. It´s The Clash.

 


 jackiewelsh wrote:
{#Crowded}what an awesome segue fr cash!
 
From Cash to Clash, so to say.
I REALLY need to get some Clash albums. Once again, RP is educating me.
{#Cry} please make it stop..

oh, right! PSD!
 jackiewelsh wrote:
{#Crowded}what an awesome segue fr cash!
 
Yes, love both very much - {#High-five}
{#Crowded}what an awesome segue fr cash!


{#Devil_pimp}


 ubuntourist wrote:
"Go straight to Hellboy"

Hellboy
 
That is wonderful.  Best pun I've seen in awhile.
This is not my favorite Clash track by any stretch, but this does fit nicely after Johnny Cash's "The Man Comes Around."  This is why I listen to RP instead of Pandora.  I don't have either track and wouldn't have put them together. 
80's flashback: Alex Cox's "Walker", scored by Strummer, inspired by Marlon Brando's "Burn!"
reagan thatcher and company, poppa bush and his cia central american manipulations, 
Remember some american culture that had you do some research?   
"Go straight to Hellboy"

Hellboy
The Clash, always on a higher level. As to the lyrics, the theme itself sets this song milles ahead of other bands. The music fits the lyrics. It´s not a song to dance or to bang your head. It´s The Clash.
 socalhol wrote:

Thanks for sharing — now I think I need to check it out!  Here's a photo of the Clash from that episode on NBC.com.  And from there I see it was Season 8, Episode 3 (that aired Oct 9, 1982) — which can be watched on streaming Netflix, if you have that membership feature.

EDIT:  oops, guess not — musical guests are NOT included.  bastards

 
Here it is.
The "When the Man Comes Around"/"Straight to Hell" segue should win an Academy Award!
The lights dim.....the crowd surges forward with a roar.....The Pogues have used this as their walk-on music every time I have seen them since 2005. Whoo Hoo!{#Sunny}
Boring. Could have been made with a 1980 drum machine and a microphone.
This is pure crap... Mute
 toterola wrote:

Funny!

I couldn't disagree more about the continuing relevance of The Clash, but I would have given a small fortune to have seen Courtney tossed out on her ass! {#Jump}
 

of course the Clash continue to be relevant. Just not this stuff.
 thewiseking wrote:
This helps demonstrate that alot of what the Clash did was rubbish and sounds terribly dated.
btw, I was at the NY Film Festival Premiere of the film Straight to Hell, which was an absolute disaster. A crazy, distruptive groupie kept talking thru the film and I believe was thrown out. That groupie....................Courtney Love.
 
Funny!

I couldn't disagree more about the continuing relevance of The Clash, but I would have given a small fortune to have seen Courtney tossed out on her ass! {#Jump}
Awesome!!  I was hoping you'd play this eventually.
This helps demonstrate that alot of what the Clash did was rubbish and sounds terribly dated.
btw, I was at the NY Film Festival Premiere of the film Straight to Hell, which was an absolute disaster. A crazy, distruptive groupie kept talking thru the film and I believe was thrown out. That groupie....................Courtney Love.
Need to mute for few minutes {#Stop}
Those sounds drilling hole my mind
Sounds like someone has been watching "Slumdog Millionaire."   {#Wink}
 brulie wrote:
They played this on SNL on what was one of the best SNL episodes of all time (IMHO) — Ron Howard was host. Alas, it was the Dick Ebersol era (Eddie Murphy cast), so we won't ever see the whole thing rebroadcast. We happened to have taped it (on Betamax!), so I watched it, like, ten times. I was really surprised that they chose this as their second song.
 
Thanks for sharing — now I think I need to check it out!  Here's a photo of the Clash from that episode on NBC.com.  And from there I see it was Season 8, Episode 3 (that aired Oct 9, 1982) — which can be watched on streaming Netflix, if you have that membership feature.

EDIT:  oops, guess not — musical guests are NOT included.  bastards

Purrrrfection!