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Stan Getz — Misty
Album: Ballads and Bossa Nova
Avg rating:
7.8

Your rating:
Total ratings: 1275









Released: 1963
Length: 5:13
Plays (last 30 days): 0
(Instrumental)
Comments (43)add comment
 joejennings wrote:

I just did some research.   This album was actually recorded in 1989.  NO old technology!


Aren you sure it's not a re-release? That's two years before Stan''s death.
 Queue wrote:

Anybody remember the Clint Eastwood movie: "Play Misty For Me"?

That was my first exposure to this song.



Yes indeed. Clint with Jessica Walter.
Heard him live at the (then new) Regattabar in Cambridge Mass. in the mid-80s near the end of his life. Still had all his chops. Every aspect of every note intentional and precise. *sigh*
 uksminas wrote:


im guessing all Studer,Ampex r2r gear and golden ears and understanding of midrange importance is partially responsible for this sound experience.no wonder that old stuff is so on demand.It had soul

I just did some research.   This album was actually recorded in 1989.  NO old technology!
 pcc wrote:

Cool sax sound.. 🎷🎷



They called it/his sound, "The Sound" back in the day. So smooth. 
 Stratocaster wrote:

How did they record such high quality back in recording’s infancy? Amazing!



im guessing all Studer,Ampex r2r gear and golden ears and understanding of midrange importance is partially responsible for this sound experience.no wonder that old stuff is so on demand.It had soul
 Stratocaster wrote:

How did they record such high quality back in recording’s infancy? Amazing!


I reckon the main thing making the recording sound like great quality is really the quality of the musician playing the instrument so well. The quality of the recording hardware, room, reverb etc is only going to make a very subtle difference compared to the difference of having Stan Getz playing the instrument vs somebody else
 spetrie wrote:

No-one is as cool on the sax as Getz. This takes me away to an afternoon spent sipping gin & tonics while hearing this on the deck of a hotel on a small Bahamian out-island—Hopetown on Elbow Cay to be exact—with the palm leaves blowin' in the  gentle breeze comin off the aqua blue ocean water, and the pristine white sand. Ooaahhh~~~~~one of life's perfect moments.



Oh my lord I am so jealous..
No-one is as cool on the sax as Getz. This takes me away to an afternoon spent sipping gin & tonics while hearing this on the deck of a hotel on a small Bahamian out-island—Hopetown on Elbow Cay to be exact—with the palm leaves blowin' in the  gentle breeze comin off the aqua blue ocean water, and the pristine white sand. Ooaahhh~~~~~one of life's perfect moments.
Stratocaster wrote:

How did they record such high quality back in recording’s infancy? Amazing!

.................

As many have said below, vacuum tubes and other analogue equipment -- including delicate microphones suspended on springs.  But I'm going to add that no one was  playing loudly.  It's a lot easier to isolate instruments and vocals when they're not being played at top volume.  Quieter noises doesn't push mikes and recording devices to their limits, and distortion happens when devices reach their limit.



Just melting into the flow Lord It’s all about the Flow
 reallylost wrote:


They had people who knew what they were doing. Listen to some old Decca classical recordings of whole orchestras from the 50's done with two microphones. 


All analogue signal chain.  Maybe even tubes in the mixing console.
 Stratocaster wrote:

How did they record such high quality back in recording’s infancy? Amazing!


I wouldn't call this era "recording's infancy"; this was recorded around 1963 or '64.  It does sound fantastic though.
I believe it was produced by Teo Macero, who also produced Brubeck's classic "Time Out", and produced  recordings by Monk, Miles Davis, Mingus, and dozens of others while at Columbia Records. 
... I am slowing melting into a puddle.  "Play Misty for me!"
after The Administration of Justice he caught the Bluebird and crashed on the Boulevard of Broken Dream.
 cob427uk1 wrote:

Now that hit the spot this morning! Sublime..




You bet! It hit more than one spot for me!   
Now that hit the spot this morning! Sublime..
Wow!
 mach-hog wrote:

Vespers, femme fatales smoking Gaulloises and Misty. Straight out of a Vettriano...



Where's the singing Butler?
 rebadeba wrote:

1963!!!!! Wow I was 11 years old. What a great sound. My Dad loved this too.!



Same here. Sublime sound.....
This one is an easy 9 rating, just love Stan's sax work, and the fact that he didn't read music well, instead played mostly by ear,  amazes the heck outta me. 

I think I heard this on the main-mix a month ago while driving home in the rain with our Friday-night pizza, and again today, while working from home, on the mellow-mix (because it's a rainy Monday) - Long Live RP and all the Jazz played here!!  And sun, come out and play now that spring is here in the PNW!!
 Ok_Sobriquet wrote:

I think it had something to do with glowing vacuum tubes.



Yep! Probably! A different type of harmonic distortion! Tubes emphasize even harmonics, giving a warmer sound, while solid state (transistors) emphasize odd harmonics, giving a more articulate sound!
GODLIKE!!! ICONIC!!!
Bossa Nova?

Why no tango?

Or samba? 

Something is going on here...

 Stratocaster wrote:

How did they record such high quality back in recording’s infancy? Amazing!


I think it had something to do with glowing vacuum tubes.
that sax sound touches my soul. love it. 
Sublime.
Thank you RP! Straight to the soul. 
 Stratocaster wrote:

How did they record such high quality back in recording’s infancy? Amazing!



They had people who knew what they were doing. Listen to some old Decca classical recordings of whole orchestras from the 50's done with two microphones. 
How did they record such high quality back in recording’s infancy? Amazing!
Play Misty, for ME
 todbothom wrote:

When I was 8 years old I found an LP called Jerry Mulligan Meets Stan Getz in my ex stepdads stuff.  After playing it I never looked at the man the same way again. He was a secret hipster.



He was also a not-so-secret hipster for a number of years. 
I was just thinking,  play "misty" for me,  and here it is!
I don't think I've ever heard such an intimate recording as this.  Hearing the breathing itself...  Astonishingly close.  They're in the room with me.
Anybody remember the Clint Eastwood movie: "Play Misty For Me"?

That was my first exposure to this song.
Some Lester Young to follow in a few? 
Superb 🎶 to the max. Practice made perfect. Thanks SG
Mindboggingly beautiful...
When I was 8 years old I found an LP called Jerry Mulligan Meets Stan Getz in my ex stepdads stuff.  After playing it I never looked at the man the same way again. He was a secret hipster.
Vespers, femme fatales smoking Gaulloises and Misty. Straight out of a Vettriano...
1963!!!!! Wow I was 11 years old. What a great sound. My Dad loved this too.!
 pcc wrote:
Cool sax sound.. 🎷🎷
 

such a thing? …………. Sorry...…………...couldn't resist!
Cool sax sound.. 🎷🎷