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Total ratings: 7185
Length: 3:34
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Makes me want to drink a Boulevardier cocktail at an outdoor cafe on the Champs-Élysées in Sep and watch the world go by on a cool Sep afternoon, contemplating the statues of Voltaire and Rousseau on top of one of the Louvre buildings.
Wait a minute...I did that last week!
C'est la vie!
Cool. I wish that I could have been there too.

Even better after vaping some indica!




Hysterical
I don't know why, but this piece makes me think of a late autumn day, a young man wandering through Manhattan, wearing an ochre windbreaker, holding a coffee, moodily contemplating the universe.
OK. ...works for me!
This has become my favorite song, and it’s not really close.
I know what you mean - transcendent
Wait a minute...I did that last week!
C'est la vie!
I prefer the Pascal Roge rendition
Actually this is the Pascal Rogé rendition. The album info is wrong. More info in my comment on Gymnopedie No. 1.



To lame
This reply goes into my RP Hall of Fame replies! Well done sir!
Yes! WOW indeed. That response exemplifies Satie's genius so magnificently. Deserves a 10 itself. Eric Satie has been in my top play list for decades.
. . . this must be RP. ; )

Gymnopédie No.1 is the best ❤️
helgigermany wrote:
To lame
oldviolin wrote:
Ah, I see it. Crippled and lonely; he wanders the crumbling alleys paved with ancient cobbles polished by circular regeneration; the streets littered with the refuse of intolerant time, and cruel space...how is it that music can so express suffering at the whim of the eternal muse...
to lame indeed. And yet, to healing comes the listening ear and hearing heart...
This reply goes into my RP Hall of Fame replies! Well done sir!
sad sack country music
Some things are just too amazing to explain...
there was a way: Emile Berliner Gramophone (patent 1887)

Very nice

Satie never married, and his home for most of his adult life was a single small room, first in Montmartre and from 1898 to his death, in Arcueil, a suburb of Paris. He adopted various images over the years, including a period in quasi-priestly dress, another in which he always wore identically-coloured velvet suits, and is known for his last persona, in neat bourgeois costume, with bowler hat, wing collar and umbrella. He was a lifelong heavy drinker, and died of cirrhosis of the liver at the age of 59.
Someone please make a movie of this guy's life
Listening to this gives me Frisson which makes it a 10.
That's actually my benchmark for an 8.
I could tell you what makes me give a 10, but this is a family station.
https://ridiculon.bandcamp.com...
Thnks RP for this Gnossienne
As a froggy french i would prefer the interpretation of Jean-Yves Thibaudet or
Daniel Varsano.
Just sayin'. No offense, Mister Glazer
Stay relax anyway listening to RP waiting for 2020 to end.
Et Ciccolini, vieux ?
Just the right amount of rubato.
Domo arigato, Mr. ... uh, never mind.
Also, Chicken Satie is my favorite Thai cuisine appetizer.
Far too much rubato.
Just the right amount of rubato.
To lame...
Do you mean that he wrote this for someone named Lame? Or do you mean the song is "Too" lame, and your grammar just sucks? I think you're wrong either way.
Indeed. The rubato is strong in this one.
First Leeoh-nardd Cohen, now Satie .... beautiful but hits the melancholic sweet spot so to speak ... weep
As a froggy french i would prefer the interpretation of Jean-Yves Thibaudet or
Daniel Varsano.
Just sayin'. No offense, Mister Glazer
Stay relax anyway listening to RP waiting for 2020 to end.
Ah, I see it. Crippled and lonely; he wanders the crumbling alleys paved with ancient cobbles polished by circular regeneration; the streets littered with the refuse of intolerant time, and cruel space...how is it that music can so express suffering at the whim of the eternal muse...
to lame indeed. And yet, to healing comes the listening ear and hearing heart...
Damn, you're good! I hope you have a desire to write full time. I'd love to read more.
Good ear....while I really enjoyed the film, thinking back I couldn't remember the music....and Wiki confirms this (sorta)
Incidental music is used very sparingly. What little original music is used was composed by Johnny Mandel, and primarily features two recurrent piano themes based on "Gnossiennes" No. 4 and No. 5 by Erik Satie. The other major piece of music used is the Eumir Deodato jazz/funk arrangement of the opening fanfare from Also Sprach Zarathustra by Richard Strauss.[14]
Long Live RP!!
You never know; it's been said that Erik Satie had magic powers and could manipulate time and space.
Whenever I hear this song, I associate it with this masterful work of manipulating time and space, drawing the reader back to the Hotel Del Coronado in 1896. It's a great read.
https://www.goodreads.com/book/show/581126.Somewhere_In_Time
(lacking time signatures or bar divisions) and highly experimental with
form, rhythm and chordal structure. The form as well as the term was
invented by Satie." - Wikipedia
Karima wrote:
This was just what I was going to write. Although I'd name de Leeuw first – I still cannot believe how beautiful Satie's music gets by playing it so slowly that it almost stops. It must have taken such a lot of courage to play it that way!
Enter "Erik Satie" as the search criteria on IMDB and you should retrieve a list of films which feature his music.
and I heard he never once objected to using his music in films.
AhhtheMusic wrote:
Some things are just too amazing to explain...
Released: 1889
Last play: Apr 8, 2018
Plays in last 30 days: 3
There is no way this album was released in 1889. Just saying ...
Marty McFly had it in the DeLorean when he went back in time to 1885. It must have been taken out of the car before he returned to 1985, and someone found it 4 years later.

Well then! Having your name used as a precursor to both repetitive music AND the Theatre of the Absurd....how cool is that! It's still a 9, though Satie is an interesting character from back in the late 1800s....Long Live RP!!
Released: 1889
Last play: Apr 8, 2018
Plays in last 30 days: 3
There is no way this album was released in 1889. Just saying ...
Marty McFly had it in the DeLorean when he went back in time to 1885. It must have been taken out of the car before he returned to 1985, and someone found it 4 years later.
Released: 1889
Last play: Apr 8, 2018
Plays in last 30 days: 3
There is no way this album was released in 1889. Just saying ...
You never know; it's been said that Erik Satie had magic powers and could manipulate time and space.
Released: 1889
Last play: Apr 8, 2018
Plays in last 30 days: 3
There is no way this album was released in 1889. Just saying ...
Some things are just too amazing to explain...
Enter "Erik Satie" as the search criteria on IMDB and you should retrieve a list of films which feature his music.
Yeah, this is an inspired bit of work from RP. Kudos!
(But, could you follow it up with something that doesn't make me want to reach for the razor blades, please? Kthxbai.)

I would not say it is "it", but pretty good!
Outstanding, but overplayed....
<donning fire suit>

Released: 1889
Last play: Apr 8, 2018
Plays in last 30 days: 3
There is no way this album was released in 1889. Just saying ...
DuranAir agrees! Mui Bueno!
https://youtu.be/MmiWlMJiq1s
(my cousin Mike made that guitar, he noted proudly)
Da iawn, bendegedig!
Very black lyrics....
~anyone?
Proclivities wrote:
I believe it's also in the film Chocolat.
Erik Satie's Gymnopédie No. 1 is in a fabulous film: Louis Malle's "My Dinner with Andre"

Un Ricard svp.....


(hey Kicks have you read Roger Shattucks "The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War I (1955)"
it's super : )
It is strong, soft, sad and joyful!
I want this music at my funeral... ( It is still a very long time, untill I'll die... ;-) )