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Ooh za za
Ooh staying up all night
African jungle
Big city street
The only real difference is in
The people you meet
Up all night
Ooh za za
Ooh staying up all night
It's an agreeable town
It's neat and sedate
Why even the muggers are off
The streets by eight
Up all night
Ooh za za
Ooh staying up all night
Say it ain't so Joe, say it ain't so Joe
Polite and well spoken
Well heeded and well sane
They know they're alive
When they start to feel pain
You're staying up all night
Ooh za za
Ooh staying up all night
Up all night
Ooh za za
Ooh staying up all night
Say it ain't so Joe, say it ain't so Joe
Big city jungle
African street
The only real difference is in
The people they meet
Thanks for clearing that up!
A classic Power Pop/ New Wave/ Cutting Edge classic.
How about some Generation X next?
With all apologies to Mr. Lennon, please read this with an "Idol sneer":
I'm sick to death of hearing things from uptight, short-sighted, narrow-minded hypocritics!
How about some Generation X next?
And whatever you do, please DON'T play I Don't Like Mondays. I don't like I Don't Like Mondays. I used to think it was daringly groundbreaking when it first came out. Now I just think it's the most depressing song ever recorded.
It does sound a bit like Bowie from "Ashes to Ashes." (When I was feeling very burned out during college, I loved the strung-out, hungover feel of "It's No Game", complete with the angry woman snarling...something in Japanese.) Did Adrian Belew work on this? Somehow I hear his guitar...
Boomtoon Rats might have fared better, I think, if Bob had actually tried to sing a bit more. He's here straining for a manic intensity that David Byrne had in the early days of TH.
Here's a reprint of their UK Top 40 singles if that helps:
UK Top 40 singles"Lookin' After No. 1" (1977) No. 11"Mary of the 4th Form" (1977) No. 15"She's So Modern" (1978) No. 12"Like Clockwork" (1978) No. 6"Rat Trap" (1978) No. 1"I Don't Like Mondays" (1979) No. 1"Diamond Smiles" (1979) No. 13"Someone's Looking at You" (1980) No. 4"Banana Republic" (1980) No. 3"The Elephant's Graveyard (Guilty)" (1981) No. 26"House on Fire" (1982) No. 24
Hmm. Maybe as Tony Visconti moved from 70s glam to 80s new wave, he did some homework by listening to Nick?
You just back announced this song as Johnny Marr - now I'm confused!
"Me and Howard Hughes" is a much better cut.
Heard "Rat Trap" this morning on 'XRT in Chi. Still love it.
"Me and Howard Hughes" is a much better cut.
Pretty much anything off this is worthy:
I used to groove to "(I Never Loved) Eva Braun" back when Jimmy Carter ruled...
>>A Tonic for the Troops was The Boomtown Rats' second album and included the hit singles "She's So Modern", "Like Clockwork" and "Rat Trap".
The album featured dark themes in an often upbeat, pop-punk style. One of the album's tracks, "(I Never Loved) Eva Braun" was described by one critic as "the happiest, cheeriest, best upbeat song about Hitler ever written." Other tracks featured subject matter including suicide ("Living in an Island") and euthanasia ("Can't Stop").
"She's So Modern" reached number 12 on the British pop charts. The album's title was taken from a line in this song: "And Charlie ain't no Nazi/ she likes to wear her leather boots/ 'cuz it's exciting for the veterans and/it's a tonic for the troops."
The most commercially successful track on the album is "Rat Trap," which made it to Number 1 on the British pop charts. "Rat Trap" was the final cut on the UK version of the album and the opening cut on the US version.
Track listing
All songs written by Bob Geldof except where indicated.
British version
- "Like Clockwork" (Bob Geldof, Pete Briquette, Simon Crowe)
- "Blind Date"
- "(I Never Loved) Eva Braun"
- "She's So Modern" (Geldof, Johnny Fingers)
- "Don't Believe What You Read"
- "Living in an Island"
- "Me and Howard Hughes"
- "Can't Stop"
- "(Watch Out For) The Normal People"
- "Rat Trap"
- "Lying Again" (CD bonus track)
- "How Do You Do?" (CD bonus track)
- "So Strange" (CD bonus track)
American version
- "Rat Trap"
- "Me and Howard Hughes"
- "(I Never Loved) Eva Braun"
- "Living in an Island"
- "Like Clockwork" (Geldof, Briquette, Crowe)
- "Blind Date"
- "Mary of the Fourth Form" (from the UK The Boomtown Rats)
- "Don't Believe What You Read"
- "She's So Modern" (Geldof, Fingers)
- "Joey's on the Street Again" (from the UK The Boomtown Rats)
Personnel
- Bob Geldof – vocals, saxophone
- Pete Briquette – bass, vocals
- Gerry Cott – guitar
- Johnnie Fingers – keyboards, vocals
- Simon Crowe – drums, vocals
- Garry Roberts – guitar, vocals
"Me and Howard Hughes" is a much better cut.