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This track is a staple in my sleep playlists. RIP Mark Sandman
Sounds like a teenage Leonard Cohen - and that's not necessarily an insult btw!
Proclivities wrote:
...and to quote an old ad for Coty perfume: If you want to capture someone's attention, whisper.
And looking at the cover, that ain't waving, that be drowning. (Stevie Smith)
...and to quote an old ad for Coty perfume: If you want to capture someone's attention, whisper.
And looking at the cover, that ain't waving, that be drowning. (Stevie Smith)
Pharlap wrote:
...and to quote an old ad for Coty perfume: If you want to capture someone's attention, whisper.
To paraphrase Truman Capote ( re: J. Kerouac)
That's not singing, it's whispering
That's not singing, it's whispering
...and to quote an old ad for Coty perfume: If you want to capture someone's attention, whisper.
...wow!..
To paraphrase Truman Capote ( re: J. Kerouac)
That's not singing, it's whispering
That's not singing, it's whispering
Haven't heard this one before. Only heard the last bit, so I won't rate it yet, but I diiiiiiig Morphine. Reminds me a bit of "Underwater Boys", which is kinda funny, given the album cover.
socalhol wrote:
I was thinking Chris Rea-ish (Road to Hell) — but now that you mention Underworld, I hear them too...
Agreed.
I was thinking Chris Rea-ish (Road to Hell) — but now that you mention Underworld, I hear them too...
Agreed.
sirrus wrote:
I was thinking Chris Rea-ish (Road to Hell) — but now that you mention Underworld, I hear them too...
Very Underworld-ish... I like this side of Morphine.
I was thinking Chris Rea-ish (Road to Hell) — but now that you mention Underworld, I hear them too...
EssexTex wrote:
I'm liking this more than any of their other songs....I think it's the lack of sax
It sucks. If you got laid more often you would see that
I'm liking this more than any of their other songs....I think it's the lack of sax
It sucks. If you got laid more often you would see that
nice and bubbly percolating beat to underline his great voice
lmic wrote:
I too love the horns. But it's kind of nice to hear the texture of Mark's voice, unobscured by them.
I'm liking this more than any of their other songs....I think it's the lack of sax
I too love the horns. But it's kind of nice to hear the texture of Mark's voice, unobscured by them.
I'm liking this more than any of their other songs....I think it's the lack of sax
fredriley wrote:
I too love the horns. But it's kind of nice to hear the texture of Mark's voice, unobscured by them.
I usually love Morphine, especially that bone-jarring honking baritone sax, but this one just doesn't do it for me. Bring back the sax, I say :)
I too love the horns. But it's kind of nice to hear the texture of Mark's voice, unobscured by them.
Very Underworld-ish... I like this side of Morphine.
I quite like it. I wouldn't mind hearing this in the rotation more often.
interestingly creepy.
Had this album for 5 years before I heard this song at the end of it. Married the woman I heard it with. It matches her perfectly.
I usually love Morphine, especially that bone-jarring honking baritone sax, but this one just doesn't do it for me. Bring back the sax, I say :)