London Grammar — Hey Now
Album: If You WaitAvg rating:
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Total ratings: 3513
Length: 3:18
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Hey now, letters burning by my bed for you
Hey now, I can feel my instincts here for you, hey now
By my bed for you, hey now, hey now
Uhu, you know it is frightening
Uhu, uhu, you know it's like lightning
Hey now, now,
Hey now, letters burning by my bed for you
Hey now, leave it to the wayside like you do, for you
Imagination calling mirrors for you
Hey now, hey now
Uh, you know it is frightening
Uhu, uhu, you know it's like lightning
Hey now, now, hey now, now
Hey now, now,
Uhu, uhu, uhu, uhu
Hey now, I can feel my instincts here for you, hey now
By my bed for you, hey now, hey now
Uhu, you know it is frightening
Uhu, uhu, you know it's like lightning
Hey now, now,
Hey now, letters burning by my bed for you
Hey now, leave it to the wayside like you do, for you
Imagination calling mirrors for you
Hey now, hey now
Uh, you know it is frightening
Uhu, uhu, you know it's like lightning
Hey now, now, hey now, now
Hey now, now,
Uhu, uhu, uhu, uhu
Comments (114)add comment
I would love to see this song put to a scene of certain intimacy...
My "Mondegreen" in the third verse is
"Hey now, leave it to the wayside like you do, f*ck you"
"Hey now, leave it to the wayside like you do, f*ck you"
ShortSharpShock wrote:
the word I'd use is "unctuous"
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
the word I'd use is "unctuous"
thewiseking wrote:
True but isn't her basso voice a bit "contrived"
Is it a "basso" voice? It's more of a tenor in her lower register to me.
True but isn't her basso voice a bit "contrived"
Is it a "basso" voice? It's more of a tenor in her lower register to me.
ShortSharpShock wrote:
really enjoyed reading this review! i hope you're still around and will post more like this of other tunes played on RP. thank you.
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
really enjoyed reading this review! i hope you're still around and will post more like this of other tunes played on RP. thank you.
ShortSharpShock wrote:
Warning! You'll demand the minute or so of your precious life back if you too waste it reading this comment.
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
Warning! You'll demand the minute or so of your precious life back if you too waste it reading this comment.
Man, this just gets better every time I hear her...
thewiseking wrote:
I had that thought a couple of times, but do we really want to hear her sing soprano? I think this is where she shines. London Grammar is pretty close to perfection.
True but isn't her basso voice a bit "contrived"
I had that thought a couple of times, but do we really want to hear her sing soprano? I think this is where she shines. London Grammar is pretty close to perfection.
thewiseking wrote:
True but isn't her basso voice a bit "contrived"
No. It's like the opposite of contrived, whatever that may be. Genuine?
True but isn't her basso voice a bit "contrived"
No. It's like the opposite of contrived, whatever that may be. Genuine?
Watch this when you have time:
Ipse_Dixit wrote:
I was thinking making this reference but resisted as I did not want to spoil the song for the rest of the world. Sigh...
I was thinking making this reference but resisted as I did not want to spoil the song for the rest of the world. Sigh...
Straight outta Nottingham, worth an extra point from the Nottingham jury. Hannah's contralto is a beautiful and affecting voice, and the band sound is imaginative. 8 => 9
Hey now, I remember the day when RP played you for the first time, hey now where are you now?
PaganSkier wrote:
Ha just did the same, doubting about a 10 :D Such an excellent production, and Hannah's voice! Really grows on me.
Bumping it up from 8 to 9 because I like the way my cats eyes bug out when that deep bass kicks in.
Ha just did the same, doubting about a 10 :D Such an excellent production, and Hannah's voice! Really grows on me.
Bumping it up from 8 to 9 because I like the way my cats eyes bug out when that deep bass kicks in.
Great voice!
Hannah Reid has an incredible voice!
ShortSharpShock wrote:
There's probably a word for that in Danish.
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
There's probably a word for that in Danish.
ShortSharpShock wrote:
and now my life is complete
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
and now my life is complete
TLynneHenry wrote:
Intelligence? Coolness? Vocal talent?
Range!
Intelligence? Coolness? Vocal talent?
Range!
thrilling. her voice is so thrilling.
Love it. I'm hooked.
NeilBlanchard wrote:
Next time it comes on I'll try it with the sub added - if the neighbours are out.
[Update] - had the sub dancing like Lazarus. Dusted the shelves nicely.
Ya' gotta' listen to this on a system with some good bass ... to hear it all.
Weird - I left RP playing quietly in my study while I went to the 'smallest room'. While there the house started resonating. As my wife was recording videos for students upstairs, I looked outside to see what large vehicle was creating the unwanted noise, then returned to my study to read this comment - and found the source. And that was through a Sonos Play 5 at low volume. I've yet to find out if it has wrecked her recording...Next time it comes on I'll try it with the sub added - if the neighbours are out.
[Update] - had the sub dancing like Lazarus. Dusted the shelves nicely. firefly6 wrote:
I wonder what her range is? She seems to have a lot of power down low and can hit reasonable highs too.
Love her voice.
I wonder what her range is? She seems to have a lot of power down low and can hit reasonable highs too.
Signwrtr61 wrote:
Just oozes um.....fill in the blank________
Intelligence? Coolness? Vocal talent?
Just oozes um.....fill in the blank________
Intelligence? Coolness? Vocal talent?
Beautiful song. Reminds me of Massive Attack.
Ya' gotta' listen to this on a system with some good bass ... to hear it all.
calypsus_1 wrote:
Hannah Reid (London Grammar)
Just oozes um.....fill in the blank________
Hannah Reid (London Grammar)
Just oozes um.....fill in the blank________
Thanks RP, never heard of the band, really good sound
Love her voice.
She can wail
Haunting, melodic and soothing all at the same time. Love this band!
Me encanatan . Desde la primera vez que los escuché. Loved them since first time I lisented to them. Tiene algo especial sin duda
Jeeze, even their official website has no band or event news to offer.
thewiseking wrote:
this rant is longer than The Gettysburg Address.i have no idea what inspired it
History geek's two cents:
The Gettysburg Address was such a short speech that it was over before the attendant photographer could capture him delivering it.
He spoke for less than two minutes, and the entire speech was fewer than 275 words long
this rant is longer than The Gettysburg Address.i have no idea what inspired it
History geek's two cents:
The Gettysburg Address was such a short speech that it was over before the attendant photographer could capture him delivering it.
He spoke for less than two minutes, and the entire speech was fewer than 275 words long
they are absolutely addictive. we played this album in the office non stop for like a year.
ench wrote:
Couldn't agree more. So much "indie rock" these days is four minutes of a song that never quite feels like it starts. Or it follows the same formula of "quiet start, builds slowly to a sing-along oo-oo-oo chorus that is meant to get a festival audience singing along."
The song has a rich quality, but it doesn't really feel like it goes anywhere.
Couldn't agree more. So much "indie rock" these days is four minutes of a song that never quite feels like it starts. Or it follows the same formula of "quiet start, builds slowly to a sing-along oo-oo-oo chorus that is meant to get a festival audience singing along."
Throw in an echo and it becomes a great song?
thank you so much for playing my favorites
ShortSharpShock wrote:
i LOVE PANCAKES AND CINNAMON BUNS
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
i LOVE PANCAKES AND CINNAMON BUNS
Not a zealous fan of this band, but the band's name is always kinda awesome.
westslope wrote:
Probably, but I also like a lot the mood of the keyboard carpets, as well as guitars…
What might have been a mediocre pop song is made special by Reid's voice.
Probably, but I also like a lot the mood of the keyboard carpets, as well as guitars…
What might have been a mediocre pop song is made special by Reid's voice.
Great tune, brings me to a place where all is well. Listen on some serious speakers and that bass sure rattles my ribcage like a passing 747 !! A solid 10 from me.
fyonn wrote:
I appreciate that I'm 4 years late here, but you're unhappy at Apple using .m4a files? are you aware that m4a is an international standard ratified by the ISO? it's an audio only MPEG4 container with unencrypted audio inside that pretty much anything made in the last 15+ years can play...
I mean, there's reasons not to like Apple, but I'm not sure it's use of a common open standard is one of them...
Hater's got to hate!!
I appreciate that I'm 4 years late here, but you're unhappy at Apple using .m4a files? are you aware that m4a is an international standard ratified by the ISO? it's an audio only MPEG4 container with unencrypted audio inside that pretty much anything made in the last 15+ years can play...
I mean, there's reasons not to like Apple, but I'm not sure it's use of a common open standard is one of them...
Hater's got to hate!!
ShortSharpShock wrote:
I appreciate that I'm 4 years late here, but you're unhappy at Apple using .m4a files? are you aware that m4a is an international standard ratified by the ISO? it's an audio only MPEG4 container with unencrypted audio inside that pretty much anything made in the last 15+ years can play...
I mean, there's reasons not to like Apple, but I'm not sure it's use of a common open standard is one of them...
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
I appreciate that I'm 4 years late here, but you're unhappy at Apple using .m4a files? are you aware that m4a is an international standard ratified by the ISO? it's an audio only MPEG4 container with unencrypted audio inside that pretty much anything made in the last 15+ years can play...
I mean, there's reasons not to like Apple, but I'm not sure it's use of a common open standard is one of them...
Moving, rhythmic, intense.
thewiseking wrote:
ShortSharpShock wrote:
Just saw this post ↑ ↑ and had a good chuckle... This is actually kinda short for me, but to answer, I was inspired by H.R.'s amazing voice.
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
this rant is longer than The Gettysburg Address.i have no idea what inspired itWhen I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
Just saw this post ↑ ↑ and had a good chuckle... This is actually kinda short for me, but to answer, I was inspired by H.R.'s amazing voice.
9 -> 10... but only cos Bill said no 11
From Jools Holland show in the uk....
<iframe xx="560" yy="315" src="https://www.youtube.com/embed/0VdDYevWGRg" frameborder="0" allowfullscreen></iframe>
<iframe xx="560" yy="315" src="https://www.youtube.com/embed/0VdDYevWGRg" frameborder="0" allowfullscreen></iframe>
8>9
DrLex wrote:
True but isn't her basso voice a bit "contrived"
This just effortlessly grinds all the auto-tuned posers to a pulp. And then spits on it.
True but isn't her basso voice a bit "contrived"
missed em in Brooklyn last week. damn.
This just effortlessly grinds all the auto-tuned posers to a pulp. And then spits on it.
Sid1950 must've caught them in a surprise pop up performance. Their own website and Facebook page make no mention of any concert appearance thus far for 2016. They recently posted that they are playing a festival in Oz at the end of the year carrying over into January but aside from that one cannot find a single peep of fresh news about the band online anywhere.
Skydog wrote:
Seem to be touring all the time. They did a wonderful live version of this in the BBC's presentation tent at Glastonbury this year. I bought their album If You Wait back in 2013 and still listen to it regularly.
looks like they haven't released anything since 2014, are they still together?
Seem to be touring all the time. They did a wonderful live version of this in the BBC's presentation tent at Glastonbury this year. I bought their album If You Wait back in 2013 and still listen to it regularly.
Gorgeous voice - "Leave to the wayside like you do, fuuu - uck you." that's what I hear too : P
looks like they haven't released anything since 2014, are they still together?
gjeeg wrote:
Get in line gleeg, ColoradoJohn and I are going to marry her before you!
Soul-slaying voice. ("Leave to the wayside like you do, fuck you.")
To marry her.
To marry her.
Get in line gleeg, ColoradoJohn and I are going to marry her before you!
This gal — her songs — her voice! really does hook me well. Such passion, such perfection! without the effects of over-reaching for it...
ShortSharpShock wrote:
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
this rant is longer than The Gettysburg Address.i have no idea what inspired itWhen I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
Outstanding artist
I think she's heard Annie Lenox alright.
Soul-slaying voice. ("Leave to the wayside like you do, fuck you.")
To marry her.
To marry her.
Can´t help myself, always thinking of Florence when I hear her. It´s great, I´m lovin´it.
love her voice
calle01 wrote:
Compared too what?!? And what was awful....?
Another Cliche. Awful!
Compared too what?!? And what was awful....?
I love Strong but can take or leave the other tracks. it seems fashionable to like London Grammar at the moment so I almost feel I have to disagree on principle.
I watched them on the goggle box as they played Glastonbury John Peel Stage last night. . . I promptly bought the album and will be listening to it later.
You know those rare times when, hearing a band/song the first time and it sends shivers down your spine and gives you that feeling of being in a sublime place?. . .
You know those rare times when, hearing a band/song the first time and it sends shivers down your spine and gives you that feeling of being in a sublime place?. . .
badgerbrown wrote:
With Hannah Reid in front of you, I expect that you'll get more than brownie points... ;-)
This lot won a prestigious UK award very recently, so plainly they're rated in the music industry. They certainly appeal to these ears. 8 from the entranced Nottingham jury
I have not been to a gig for years either. However, my daughter raved about them and got me listening to their music. I just love Hannah Reid's voice (and she is easy on the eye!). Ahem, so, for my daughter's birthday, I managed to buy (very expensive) tickets to see them in June at the Brixton Academy! She will be blown away and I get serious brownie points!! Really looking forward to it!
With Hannah Reid in front of you, I expect that you'll get more than brownie points... ;-)
This lot won a prestigious UK award very recently, so plainly they're rated in the music industry. They certainly appeal to these ears. 8 from the entranced Nottingham jury
ShortSharpShock wrote:
So, these kids sound like a cinnamon bun or pancakes? Uh...ok. As for "pitch-perfect control", you have heard of a thing called Auto-Tune, right? They use it in studios to make vocals sound in-key. They may or may not have used it on this, just saying.
Nice bottom end on this tune anyway.
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
So, these kids sound like a cinnamon bun or pancakes? Uh...ok. As for "pitch-perfect control", you have heard of a thing called Auto-Tune, right? They use it in studios to make vocals sound in-key. They may or may not have used it on this, just saying.
Nice bottom end on this tune anyway.
Just popped in for a late night listen, loving these guys.....
gjeeg wrote:
Great idea!
jesus, the infinite universe of ridiculously great music no one has ever heard!
Why doesn't the State require RP to be played in all U.S. Malls and workplaces, at all times?
State Order.
Why doesn't the State require RP to be played in all U.S. Malls and workplaces, at all times?
State Order.
Great idea!
10, next
zepher wrote:
omg.
Can I start my life all over and be in HER BAND ???
omg.
Can I start my life all over and be in HER BAND ???
Wow what a voice!
jesus, the infinite universe of ridiculously great music no one has ever heard!
Why doesn't the State require RP to be played in all U.S. Malls and workplaces, at all times?
State Order.
Why doesn't the State require RP to be played in all U.S. Malls and workplaces, at all times?
State Order.
Love this band, love this song, but... it always makes me think of Hank Kingsly...
Peter_Bradshaw wrote:
...... enjoy, they are absolutely amazing live
You saw her live? I hate you. LOL
...... enjoy, they are absolutely amazing liveYou saw her live? I hate you. LOL
Absolutely fantastic
Wow what a voice!
Peter_Bradshaw wrote:
...... enjoy, they are absolutely amazing live
Still kicking myself for missing these guys when they recently came thru at a smaller venue. Next time they'll no doubt be doing the arena thing, which just isn't as nice, IMO.
...... enjoy, they are absolutely amazing liveStill kicking myself for missing these guys when they recently came thru at a smaller venue. Next time they'll no doubt be doing the arena thing, which just isn't as nice, IMO.
calypsus_1 wrote:
Hannah Reid (London Grammar)
..... great song, amazing album and God, she looks amazing. It's a BIB fat 10
Hannah Reid (London Grammar)
..... great song, amazing album and God, she looks amazing. It's a BIB fat 10
Hey this is great!
Wow - kinda blown away by this trio. I immediately purchased this album on MP3. So far - every song is stellar.
badgerbrown wrote:
...... enjoy, they are absolutely amazing live
I have not been to a gig for years either. However, my daughter raved about them and got me listening to their music. I just love Hannah Reid's voice (and she is easy on the eye!). Ahem, so, for my daughter's birthday, I managed to buy (very expensive) tickets to see them in June at the Brixton Academy! She will be blown away and I get serious brownie points!! Really looking forward to it!
...... enjoy, they are absolutely amazing liveI have not been to a gig for years either. However, my daughter raved about them and got me listening to their music. I just love Hannah Reid's voice (and she is easy on the eye!). Ahem, so, for my daughter's birthday, I managed to buy (very expensive) tickets to see them in June at the Brixton Academy! She will be blown away and I get serious brownie points!! Really looking forward to it!
Wow, what a voice!
I have never been so impressed by a voice or performer so quickly before. I have been listening to this CD and now I am looking into tour dates...have not been to a gig in many years. This voice is going to conquer the world! The song "Strong" gets my vote for song of the year. I am in love.
kingart wrote:
It's Hannah Reid and I predict: SHE IS THE NEXT BIG THING
First time I've heard this. I had to check: is it Annie Lenox, or Florence? Has that kind of singing and musical similarity.
It's Hannah Reid and I predict: SHE IS THE NEXT BIG THING
First time I've heard this. I had to check: is it Annie Lenox, or Florence? Has that kind of singing and musical similarity.
Listen to this song everday in my car fab
Leave it aht! Sahnds nuffin' like Lahndan grammar, narmean, John? Triff singer 'n song - goes down a treat, so it does. 8 from the entranced Nottingham jury.
Hannah Reid (London Grammar)
ShortSharpShock wrote:
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
Pretty long review but very well done.
You should write for Rolling Stone
Kaw wrote:
Sadly the other songs from the album do not reach the quality of this song. It's not bad but not a keeper in my opinion.
Thanks for the reviews. I'm going to check this album. It sounds very good.
Sadly the other songs from the album do not reach the quality of this song. It's not bad but not a keeper in my opinion.
London Grammar interprète "Wicked Game" de Chris Isaak pour Le Live, l'émission musicale du Figaro.—————— "Somebody please explain how in the seven layers of hell that voice comes from a skinny white chick."——lol. ——————-"Using the argot of South London, their performance is 'well wicked'"——————————
The song has a rich quality, but it doesn't really feel like it goes anywhere.
Nice soundscape and I always like a plinky plink guitar sound.
Thought it was HER for a second, almost missed this. Glad I looked and listened!
Thanks for the reviews. I'm going to check this album. It sounds very good.
Thanks for pointing that out. I came here to rate their track "Hey Now" and after seeing your comment I ended up enjoying the whole album. It is outstanding! What a great voice the vocalist Hannah Reid has.
sajitjacob wrote:
sajitjacob wrote:
Love the whole album, worth a listen, Zero 7 meets Kosheen.
Okay, second London Grammar song played today (Oct. 28th), so I had to put my cent and a half in...
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
When I first heard Bill play this song about a week and a half ago, I thought it was a Florence & The Machine track I've never heard before. Not being particularly fond of F&TM, I got excited because I thought there was finally a track that I could thoroughly enjoy. Of course, I learned that it wasn't Florence Welsh, but a this kid named Hannah Reid who is fronting London Grammar.
I subscribe to R'psody even though their music is only represented at 160 kbps because I will have absolutely nothing to do with iTunes and associated Apple software - m4a files? Lemme guess, Apple had no idea that mp3 and flac file formats already existed and are pretty much universally compatible across all platforms and music players? GFY, Apple. Whoa, did I just write that or only think it?
Anyhow....... so I grabbed this London Grammar album right away, and (in Batman terminology) KABLAM! - it's awesome. Only two complaints: the tracks are too short and the lyrics aren't all that complex, but the sound is - if you've ever had a fresh, decadent cinnamon bun and had that gooey mixture of caramelized sugar, cinnamon and frosting at the bottom, or some pancakes where the syrup mixes with the butter and maybe a little confectioners sugar near the edge of the plate, still warm, if there's a word for that then that word is what it sounds like.
Her voice is intoxicating, with a prodigious range and effortless, pitch-perfect control. The instrumentation is perfectly understated, with the skilled flourishes and nuances of musicians that appear too young to possess that level of expertise and wisdom.
There is not a bad track on the album. This track, "Hey Now", is an absolute stand-out, and the one that captured my attention. Earlier Bill played "Shyer" - nice. The song "Strong" will knock your socks off (I also like the video - a painfully poor father gives a spectacular gift to his daughter), and I've also become addicted to the sleeper track, "Interlude".
All in all, an incredible debut album that will surely consume the airwaves in the near future. Thanks again, Bill, for the advance notice, as usual. And sorry, Florence & The Machine - still not a fan.
Love the whole album, worth a listen, Zero 7 meets Kosheen.
velocette wrote:
Well, IF Florence sang on tone.
Vocals remind me of Florence & the Machine dialed down a bit. Well done.
Well, IF Florence sang on tone.
instant 8
Sounds like Lana Del Rey listened to this before her last album.
This I like. Lana...not so much.
This I like. Lana...not so much.
what...is THIS?
Great song! How can it be that such young kids can sound soooo sad and other older singers can not?? Impressive!
Vocals remind me of Florence & the Machine dialed down a bit. Well done.
Just wrote this one down by the desk here. Really nice!
First time hearing London Grammar and I must admit that they are quite likeable ... beautiful vocals!!
London's a FINE PLACE - QPR live there